An accomplished Dublin artist is the winner of this year’s Award for Outstanding
Portraiture, sponsored by the Ireland-U.S. Council, in conjunction with
The Irish Arts Review and the Royal Hibernian Academy. It is presented
in Ireland to an artist whose work is judged to be of outstanding merit. The Award
is an important part of the Council’s program to support the arts and arts education
in Ireland.
The winning portrait work was chosen from among the entries at the opening of the
Royal Hibernian Academy’s Spring Exhibition held recently in Dublin where Ms. O’Neill
was presented with the Council’s €5,000 award bursary. A formal presentation of
the Award citation will be made by Council Ireland Chapter President Dr. Michael
Somers and Council President Brian W. Stack at the Council’s Midsummer Gala Dinner
on Friday, June 26, 2015 at a dinner in Dublin Castle. The Guest Speaker at this
event will be Leo Varadkar TD, Minister for Health in the Government of Ireland.
Geraldine O’Neill lives and works in her native Dublin. She studied at the National
College of Art & Design (NCAD) from 1989 through 1993. She completed her Master of
Fine Arts (MFA) degree there in 2008. She has lectured at the Dublin Institute of
Technology (DIT) and at St. Patrick’s College and was an external tutor for an MFA
student at the Massachusetts Institute of Art in 2011. In 2013, she was elected
an associate of the RHA. Among Ms. O’Neill’s awards are the Henry Higgins Travel
Scholarship, an Arts Council Bursary and the Gerry Tornsey Prize for Portraiture.
O’Neill’s work is represented in many collections, both private and public, including
the Irish Museum of Modern Art (IMMA), the European Central Bank, the Office of
Public Works, and the Glucksman Collection at University College Cork.
The Award program is undertaken with generous financial sponsorship from Council-member
firm, Prudential Financial, a U.S.-based life insurance company which is not affiliated
in any manner with Prudential plc, a company incorporated in the United Kingdom.
The Irish Arts Review, the quarterly publication devoted to Irish culture, art and
design throughout the ages, manages the judging process with the support of the
RHA, an all-island institution that is celebrating its 186th Anniversary. The panel
of judges included John Mulcahy and Sonya Perkins from the Irish Arts Review, Michael
Cullen RHA and the celebrated Irish artist Robert Ballagh.
Over the past decade, the Ireland-U.S. Council has contributed a total €50,000 ($57,000)
to this program of Awards for Outstanding Portraiture which since 2006 have gone
to the following artists not all of whom are members of the RHA but who have exhibited
at the RHA annual exhibition: Maeve McCarthy, Garry Coyle, Carey Clarke, Jonathan
Dalton, Colin Davidson, Una Sealy, Ian Cumberland, Mick O’Dea, Oisin Roche and now
Geraldine O’Neill.
In a commentary on the winning portrait published in the current edition of the
Irish Arts Review, Robert Ballagh, a member of the judging panel, said this:
“Today, in this digital age, where so much is possible, a five-hundred-year-old
technology, namely the normal application of oil paint to an appropriate substrate,
can still achieve results that are both special and unique. With a painted portrait
the viewer is not just presented with the outward appearance of the subject but
through visual contact with the means of representation – the physical marks on
the surface – a special relationship can develop between the viewer and the actual
artist.
“Looking at Rembrandt’s later self-portraits, initially one marvels at the extraordinary
representation of the trials and tribulations of the ageing process but closer examination
of the painted surface reveals the skilful marks and gestures made by the painter
himself. This intimate experience not only dissolves the centuries since its execution,
but metaphorically speaking, places the viewer at the artist’s shoulder during the
creation of the masterpiece. Looking at an art video or installation just doesn’t
come close! The re-integration of the painted portrait into the artistic mainstream
in recent decades has been greatly assisted by the establishment of the National
Portrait Awards in London and, here in Ireland, by the National Portrait Exhibition,
sponsored by Arnotts department store and organized by artist Jacqueline Stanley
and my late wife Betty Ballagh.
“Over the ten years of this exhibition many of today’s successful portrait painters
received their initial support and encouragement. This tradition has been continued
by the Irish Arts Review and the Ireland-U.S. Council who award a prize each year
for the best portrait in the Royal Hibernian Academy’s Annual Exhibition.
“This year’s winner is a striking work by Geraldine O’Neill entitled ‘Drawing’.
Her winning portrait features her daughter Siún, proudly displaying her own drawing,
and it is this clever concept that, in turn, provides a key to the interpretation
of what is quite a complex picture. It seems to me that apart from creating a likeness
of her daughter, the artist has in mind the interrogation of representation itself:
the question of how, over the centuries, artists have struggled to devise a satisfactory
means of describing the world we inhabit. The monochrome nature of the picture,
created in charcoal and conté crayon, provides an opportunity for the artist to
use coloured oil pastels in order, by way of contrast, to emphasize complex concepts
in the painting; however, perhaps most significant of all is the red heart, symbolizing
love, reproduced in the child’s drawing.”
As part of the sponsorship program associated with the Award, every Council member
in the United States and in Ireland receives a copy of the excellent quarterly Irish
Arts Review. Other benefits for Council members include a program of discounts available
through the Irish Arts Review to many arts events in Ireland. Also included are
calendars of upcoming arts activities throughout the year plus online information
on such things as prices of Irish art and results of auction sales.
The Ireland-U.S. Council was founded in 1962 by business leaders in the United States
and in Ireland. It is the premier transatlantic business organization that encourages
and promotes business between Ireland and the United States. Its founding was in
preparation for the visit of President John F. Kennedy to Ireland in the Spring
of 1963, as a measure to build institutional form around a structure to improve
business, economic and commercial relations between the two countries. The Council
operates a variety of scholarship programs, undertakes various publishing initiatives
in national business media in the United States, stages seminars and hosts frequent
events in Ireland and in America aimed at developing communications and dialogue
between leaders in business, government and politics on both sides of the Atlantic.
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